Celebrating Singapore’s 60th anniversary, the 2025 Singapore Pavilion reimagines city-making as a dining experience fusing collective intelligence and innovation.
At RASA-TABULA-SINGAPURA, taste Singapore’s diverse heritage. Inspired by Tabula Rasa (Latin for blank slate), we transform it into RASA (taste in Mɑlɑy), TABULA (table), and SINGAPURA (Lion City in Sanskrit). Here, we honour superdiversity — a mosaic where global traditions hybridise into a uniquely Singaporean identity.
Much like generative AI where variational inference condenses complex data into latent space, Singapore channels the flux of people, goods, ideas, and recipes into a vibrant cultural manifold — a robust intelligence shaped by history and geography.
Our menu of urban planning and architectural projects spotlights our unique ingredients, while complementary dishes celebrate social and design innovations from our multicultural roots. More than a meal, our table is a forum where policy, history, and participatory design converge. Guided by data and AI, interactive exhibits trace Singapore’s urban evolution over 60 years and beyond.
Join us at the Table of Superdiversity — bring your ideas and feast on the future of our city!
Taste Singapore! Rasa-Tabula-Singapura!
Singapore’s position between the Indian Ocean and South China Sea has long made it a key link in global maritime trade—since the days of the maritime Silk Road. Its natural deep-water harbour, near the Singapore River mouth and Johor Straits, anchored its early rise as a trading hub, even before the Malacca Sultanate. This role expanded dramatically under British colonial rule as a free port, and continued into independence. The Tuas Mega Port is one of the most complex reclamation endeavours to date – making Singapore home to the world’s largest fully automated port.
Since the 1960s, public housing has been central to Singapore’s urban development. Initially created to meet urgent housing needs, it now provides homes for over 80% of the population. Today’s estates focus on liveability—supporting social integration, identity, and kampong spirit through thoughtful, multiscale town design.
Singapore’s housing vision draws from the long-standing “Garden City” and “City in a Garden” movements. The current City in Nature initiative, aligned with the 2030 Green Plan, deepens this legacy—bringing nature into daily life and promoting sustainability and biodiversity in urban living.
Singapore’s planning framework places heritage at the heart of its evolving cityscape. Historic districts are not preserved as static monuments, but as active, lived-in neighbourhoods that adapt and grow alongside modern developments. This coexistence of old and new is embraced—not as contrast, but as character.
Conservation areas and planning guidelines support the sensitive restoration and adaptive reuse of historic buildings, allowing them to remain relevant and resilient. This approach enriches the city with layers of identity, memory, and place.
Singapore has made vertical greening a key strategy in shaping its urban identity—turning facades, rooftops, and towers into lush extensions of its tropical landscape. Incentives encourage the integration of greenery and public spaces into high-rise developments, enhancing biodiversity, improving well-being, and reducing urban heat.
This approach gives designers the flexibility to innovate while ensuring measurable ecological benefits. Over the years, the policy has facilitated the creation of over 400ha of at-grade communal spaces and skyrise greenery across Singapore. The result is a distinctive, green urban form that continues to evolve—reinforcing Singapore’s identity as a city where nature and density thrive together.
Driven by land constraints, Singapore’s planning framework has actively encouraged vertical mixed-use developments. Master plans and zoning regulations support the integration of residential, commercial, retail, and community functions within single, high-rise developments. This creates convenient, self-contained environments and vibrant urban hubs.
The pandemic underscored the need for diverse, flexible urban uses. Developers have responded with spaces that serve different demographics across times and days—creating resilient, mixed-use districts. Many fuse local typologies like food courts and parks with research, education, entertainment, and wellness.
Singapore’s Marina Bay is a confident, mature waterfront district—yet its skyline stands on land that was once the sea. Over five decades, reclaimed land was transformed through phased planning, integrated infrastructure, and landmark developments.
From an open bay, Marina Bay emerged as a world-class city centre. It combines architecture, greenery, and public space into a harmonious whole. Projects like the Esplanade, Marina Bay Sands, Gardens by the Bay and historic monuments celebrate nature and culture, creating experiences for locals and visitors alike.
Singapore’s urban identity is carefully shaped through design and planning—blending history with distinctive and contemporary architecture.
It is the bay itself—an open space framed by a three-dimensional skyline—that forms the centrepiece. Marina Bay has grown into a leading financial centre, a civic space and a community playground for all.
Singapore’s industrial landscape has evolved from the Jurong Industrial Estate in the 1960s to next-generation hubs like Punggol Digital District. Early efforts laid the foundation for economic growth through planned decentralisation and mixed-use new towns.
Punggol Digital District, opening in phases from 2025, brings education, research, and enterprise together. This polycentric, sustainable model reflects Singapore’s strategy to bring jobs closer to homes while fostering innovation ecosystems.
From port and manufacturing hubs to a global financial centre, Singapore has continually adapted its workspaces. The current shift favours flexible, hybrid, and integrated environments to support the knowledge economy.
Punggol Digital District exemplifies this shift, placing innovation, education, and enterprise in close proximity. Smart buildings, digital twins, and real-time data optimise energy, movement, and collaboration—shaping a resilient, future-ready workplace.
Singapore has strategically developed its coastal edges into specialised hubs—ports, bridges, airports, and CBDs—to support global flows of goods, people, and ideas. Beginning with a centralized city core, this scaled, decentralised planning enables Singapore to remain open, connected, and efficient.
Each gateway is a critical node in Singapore’s networked urban system, contributing to economic vitality and urban resilience.
Singapore’s aviation journey began with simple airfields and matured into one of the world’s most efficient, future-ready airports. Changi Airport was built on reclaimed land with scalability in mind. Its terminals are continuously upgraded to ensure seamless passenger experience.
The Jewel, a recent addition, reimagines the airport typology. It blends retail, entertainment, and a lush botanical garden—welcoming both travellers and locals into a shared and alluring civic space.
Singapore has always been a city shaped by deliberate planning. From the colonial 1822 Jackson Plan to the UN-assisted 1971 National Plan, each stage laid foundations for the next. Today, five-yearly Master Plan updates guide land use while planning decades ahead.
Planning has evolved from structured zoning to one that enables flexibility, balances growth, liveability, and cohesion. The 2025 Draft Master Plan looks to 2040, while long-term concept plans extend beyond 2070.
Jason Lim | Yume Architects
Dining—sharing and enjoying food together—is the metaphor that threads through the design of the Singapore Pavilion.
Here, we offer a distinct interpretation on this familiar social ritual, drawing inspiration from the super-diversity of our variational city. The exhibit presents a variety of courses and discourses—to be consumed, contemplated, and discussed—within a setting that encourages these interactions to unfold over time.
We sought to play with the tropes of fine dining—a table, chairs, chandelier—and to defamiliarize them, subverting the aesthetics that typically frame the dining experience. At the heart of the installation is a monumental cloth, sculpted into the form of a conventional table. Measuring 12 by 2.4 meters, it anchors the space through its sheer scale, yet paradoxically appears light and almost fragile, owing to its ethereal materiality.
This table-cloth draws inspiration from the material experiments of Frei Otto and Heinz Isler. It is shaped by applying forces at points of support, producing a wrinkling pattern that settles into a state of equilibrium. Once solidified, this emergent geometry is both structurally sound and visually compelling. Surrounding the table are six Neural Monobloc chairs—products of applied machine intelligence—that act as counterpoints to the human craft embodied in the table.
Above, ten mirrored disc lights reinterpret the chandelier, reflecting the table below and amplifying the space between. Suspended among them are cameras and projectors that observe and respond to the table scene. Bound within this sensory system, the table functions as more than a static object—it becomes an active participant in the performance of dining. Embedded sensors register the presence and proximity of visitors, prompting calibrated shifts in lighting, projection, and spatial atmosphere. In this way, the table shapes the dining experience, mediating between visitors’ encounters with multi-faceted content and the responsive environment, inviting them to experience a thousand worlds within the Singapore Pavilion.
Jason Lim | Yume Architects
We began with the conceptual ambition of creating an immaterial table. Rather than design a conventional table, we sought to redefine the tablecloth as the structural and spatial entity itself. Realizing this concept required iterative cycles of material prototyping, computational form-finding, and meticulous handcraft. A fabric suspended flat in space lacks the stiffness to resist applied loads; it cannot function as a table without rethinking its geometry and mechanical behaviour.
We drew on the experimental work of Frei Otto and Heinz Isler, who suspended membranes under load to allow tensile geometries to emerge naturally. These equilibrium forms, when inverted and solidified, yielded optimized funicular structures. While we adopted their approach of using cloth to compute force paths, we diverged by exploring the structural and aesthetic potential of localized wrinkling. These seemingly superfluous folds were not seen as imperfections but as opportunities—zones where material thickness could increase, enhancing the surface’s ability to resist bending moments.
During prototyping, we tested textiles with varying stiffness and elasticity, resins with different Shore hardness levels and curing profiles, and manual techniques for controlling wrinkles. In parallel, physics-based simulations with finite element analysis helped us study the material’s behavior and validate outcomes. Prototypes were scaled up, subjected to structural and light tests, and their surface carefully finished to achieve calibrated translucency—admitting light while allowing projection.
We transformed a standard piece of cloth into a complex manifold—its initially flat geometry giving rise to a wrinkled formation that is both controlled and stochastic. These folds revealed the cloth’s latent structural capacity, concentrating force paths toward support points, where loads were transmitted through slender columns into the base. The tablecloth becomes more than a surface—it collapses the distinction between structure and skin into a single, performative form. This new tabula supports objects across its span without hierarchy or prescription—an open-ended field that invites new possibilities for the shared, informal rituals of dining. Showing thousand materials and forces in one Singapore.
Immanuel Koh | artificial-architecture
Neural Monobloc Black is a reinterpretation of the injection-molded plastic chairs (known as ‘monobloc’) found in almost every coffee shop (or coffee house) and hawker centres in Singapore, in terms of its form and function. In fact, these monobloc chairs play a much-unspoken social role in facilitating the open-ended nature of Singapore’s collective seating and dining at these places. Strangely enough, it is their very genericity that accentuates the diversity of the inter-cultural food served and inter-racial dining experienced.
The monobloc chair is the world’s most widely/cheaply/quickly produced and disposed chair. It is also the most common chair imagery on the internet, thus automatically finding its way into any datasets used to train today’s most powerful foundation AI models such as ChatGPT and Stable Diffusion. The project Neural Monobloc Black (2024) takes part of its name from this ubiquitous white stackable plastic monobloc chair. However, it is not white, but black; not light, but heavy; not planar, but volumetric; not generic, but unique; not made with unsustainable polypropylene, but with sustainable upcycled teak; not machine-optimised for single user, but AI-hallucinated for ambiguous number of users; and not uncritical in consumption, but itself a critical design project. It is therefore fundamentally also a critique on the form, function, process, and materiality of all modern designs.
These 6 chairs are generated directly in 3D with an in-house fine-tuned text-to-3D AI model, fabricated in wood, and charred black. Their AI-hallucinated multi-perspectival (even hypercubist) seating affordances collectively influence circulation, views, and gathering within a space, making it an enhanced placemaking artefact. In effect, bringing to mind the multiplicity and diversity of dining experiences at the coffee shops and hawker centres in Singapore.
The neural monobloc black chairs are placed along the periphery of the Singapore Pavilion serving as objects for respite, reflection, and re-imagination; of the thousand worlds in one Singapore.
Immanuel Koh | artificial-architecture
Neural Palate Kueh is a reinterpretation of traditional Singaporean kuehs (bite-sized snack or dessert foods) as local architecture in the form of 3D-printed kuehs. Traditional kuehs are edible cultural artefacts and material records of ritual, memory and geometry, not unlike buildings. Hence, the project is a playful fusion of nostalgic food heritage and familiar built environment, mediated by artificial intelligence, to discover a new architectural language – part food, part built form, but completely Singaporean.
Using Multimodal Large Language Models (MLLMs), the process begins with AI’s deconstruction of each kueh along three axes: conceptual underpinnings (rituals of eating and cultural symbolism), design operatives (geometric form and culinary construction), and materiality (ingredients and textures). These insights become the design principles for speculative architecture that mirrors the spirit of Singaporean built form. Each 3D-printed kueh-inspired architectural form is placed in dialogue with an existing building in Singapore such as, Kueh Lapis with Golden Mile Complex and Huat Kueh with the ArtScience Museum.
Beyond formal resemblance, a series of accompanying AI-generated videos reinterpreting footages of local dining experiences are also on display at the exhibition, to further reveal another layer of shared latent affordances between social food dining and participatory city planning. Each dining video footage is placed in-sync next to its AI-generated dining-inspired architectural planning such as, Kaya Toast breakfast with the ArtScience Museum and Laksa with the Jewel Changi Airport.
Local dining embodies a social hybridity, while local food embodies a formal hybridity, both shaped by the confluence of Malay, Chinese, Indian, and others. In the case of kuehs, each layer, fold, or filling carries traces of a shared, multi-racial legacy. Like Singapore itself, they are not defined by a singular origin but by a weaving of many. This is the essence of superdiversity: a cultural fabric layered, entangled, and inseparable, quintessentially a thousand worlds in one Singapore.
Sam Conrad Joyce | metadesignlab.com
Like a dinner party, the focus of the content on the table is a richly choreographed banquet—satisfying everyone while enjoying the shared flow of conversation, ideas, and understanding.
The overall theme of the ‘feast’ is the diversity of Singapore—specifically, the many intentional ways it has steered its constrained past into a better future for its citizens and city. It shares the key ingredients combined to push the city-state toward an innovative, humanistic, and sustainable future.
The table maps a non-linear route from west to east across Singapore, tracing a path through the super-diverse fabric of our compact country. Using metaphor and literal approaches tied to current machine learning, it highlights key ‘tastes’ and determines each unique menu topic. These menus represent Singapore’s multiple urban intelligences, presented as physical sittings on the table.
Each sitting has a menu that choreographs experiences: a ‘starter’ tracing context and history; a napkin sketch of a planning rule that shaped it; a ‘main dish’—architectural models shared between sittings—embodying built ideals. ‘Side dishes’ add complementary flavours, and ‘dessert’ offers a taste of where AI might take the issue next.
Each menu draws from Singapore’s unique condition as a dense, land-scarce, hyper-connected global node. Together, they show that planning rules here are not just technical, but expressions of a national ethos: pragmatism with imagination, discipline with vision.
These dishes invite you to taste the city as it is and as it’s becoming. Planning in Singapore is not just space-making, but future-making—crafted through countless decisions, always with context, and always with love. Please enjoy the thousand loves in our one Singapore
The DesignSingapore Council’s (Dsg’s) vision is for Singapore to be an innovation-driven economy and a loveable city by design. As the national agency that promotes design, our mission is to develop the design sector, help Singapore use design for innovation and growth, and make life better in this UNESCO Creative City of Design. Dsg is a subsidiary of the Singapore Economic Development Board.
The Urban Redevelopment Authority (URA) is Singapore’s land use planning and conservation agency. Our mission is “to make Singapore a great city to live, work and play”. We strive to create an endearing home and a vibrant city through long-term planning and innovation, in partnership with the community.
We have transformed Singapore into one of the most liveable cities in Asia through judicious land use planning and good urban design. Adopting a long-term and comprehensive planning approach, we formulate strategic plans such as the Long-Term Plan and the Master Plan to guide the physical development of Singapore in a sustainable manner. Developed to support economic growth, our plans and policies are focused on achieving a quality living environment for Singapore.
We take on a multi-faceted role to turn plans and visions into reality. As the main government land sales agent, we attract and channel private capital investments to develop sites that support planning, economic and social objectives. Through our regulatory function, we ensure that development works are aligned with our plans. As the conservation authority, we have an internationally recognised conservation programme, and have successfully conserved not just single buildings, but entire districts. We also partner the community to enliven our public spaces to create a car-lite, people-friendly and liveable city for all to enjoy.
In shaping a distinctive city, we promote architecture and urban design excellence, and innovate to build a resilient city of opportunity that fulfils the aspirations of our people.
The Singapore University of Technology and Design (SUTD) is the world’s first Design AI university. With Design AI, artificial intelligence is treated as a partner and a member of the team – not just a tool. As a result of this unique SUTD treatment, AI and humans brainstorm, spar and prototype together, resulting in solutions that are elevated several-fold. This human-AI team concept has been made possible because of SUTD’s unique cohort-based interdisciplinary pedagogy – which has been in place since the University’s formation in 2009.
As a trailblazer in the field of design and technology education and research, SUTD has been pioneering innovative programmes and initiatives since our inception – including launching the world’s first Design and AI degree in 2020 – well before AI was even a buzzword. The success of that pioneering degree has set the stage for a new growth strategy called SUTD Leap, which was launched in March 2024. Here, SUTD aims to redesign higher education with an even greater focus on design and AI, whilst nurturing the next generation of human-centric design x tech innovators and innovator leaders.
Yap Lay Bee
Group Director
(Architecture & Urban Design)
Urban Redevelopment Authority
Dawn Lim
Executive Director DesignSingapore Council
Singapore University of Technology and Design
Prof. Tai Lee Siang
Prof. Khoo Peng Beng
Prof. Dr. Erwin Viray
Dr. Jason Lim
Dr. Sam Conrad Joyce
Dr. Immanuel Koh
CURATORIAL & PROJECT MANAGER
Kendrick Tay
URBAN REDEVELOPMENT AUTHORITY
Eugene Lau
Jeffrey Ang
DESIGNSINGAPORE COUNCIL
Lee Pei Xuan
INTERACTION DESIGN
Tinkertanker
GRAPHICS
Practice Theory
WEB
Steven Tjakra
RESEARCH ASSISTANTS
Anna Toh Hui Ping
Sanya Dixit
Clifford Kyaw
Nicholas Chua*
Ashley Chen*
Yan Zhanlin*
EXHIBITION DESIGN
Yume Architects
Jason Lim
Asami Takahashi
Liu Heng
ARTISTIC & FABRICATION CONSULTANCY
Eugene Kosgoron
Anna Toh Hui Ping
Subjekt Matter
NEURAL MONOBLOC BLACK
Immanuel Koh | artificial-architecture
NEURAL PALATE KUEH
Immanuel Koh | artificial-architecture*
STUDENT HELPERS
Vanessa Ann Lim Mei Hui
Wong Eng Zheng
Law Zhenwen
Yeo Hai Feng
Yeo Jing Zhe
Poon Jun Zhe
Zachary Caius Lim Tze Yan
Yiew Jae Tzen
Janessa Kwan Su Hui
Cheng Tzai Yun
Fatima Co Pepito
INSTALLATION PRODUCTION & LOCAL COORDINATION M+B Studio SRL
Co-Commissioners
Yap Lay Bee
Group Director
(Architecture & Urban Design)
Urban Redevelopment Authority
Dawn Lim
Executive Director DesignSingapore Council
Organised by
Singapore University of Technology and Design
Curators
Prof. Tai Lee Siang
Prof. Khoo Peng Beng
Prof. Dr. Erwin Viray
Dr. Jason Lim
Dr. Sam Conrad Joyce
Dr. Immanuel Koh
Credits
CURATORIAL & PROJECT MANAGER
Kendrick Tay
URBAN REDEVELOPMENT AUTHORITY
Eugene Lau
Jeffrey Ang
DESIGNSINGAPORE COUNCIL
Lee Pei Xuan
EXHIBITION DESIGN
Yume Architects
Jason Lim
Asami Takahashi
Liu Heng
ARTISTIC & FABRICATION CONSULTANCY
Eugene Kosgoron
Anna Toh Hui Ping
Subjekt Matter
NEURAL MONOBLOC BLACK
Immanuel Koh | artificial-architecture
NEURAL PALATE KUEH
Immanuel Koh | artificial-architecture*
INTERACTION DESIGN
Tinkertanker
GRAPHICS
Practice Theory
WEB
Steven Tjakra
RESEARCH ASSISTANTS
Anna Toh Hui Ping
Sanya Dixit
Clifford Kyaw
Nicholas Chua*
Ashley Chen*
Yan Zhanlin*
STUDENT HELPERS
Vanessa Ann Lim Mei Hui
Wong Eng Zheng
Law Zhenwen
Yeo Hai Feng
Yeo Jing Zhe
Poon Jun Zhe
Zachary Caius Lim Tze Yan
Yiew Jae Tzen
Janessa Kwan Su Hui
Cheng Tzai Yun
Fatima Co Pepito
INSTALLATION PRODUCTION & LOCAL COORDINATION M+B Studio SRL
For Press Enquiries, please email sgvab2025@suttoncomms.com